Printmaking can be considered as a dominant Discourse. “Dominant Discourses are secondary Discourse’s the mastery of which, at a particular place and time, brings with it the (potential) acquisition of social “goods” (money, prestige, status, etc.)” (Gee 8). Although many artists produce print editions leisurely, there is the potential of money, prestige, and status. My art teacher here at UNE has a print shop in Portland where she produces new editions every week. There, she sells her work. As an artist in Portland I am almost sure she has some sort of status there. Then of course, famous printmakers can acquire a lot of money and most definitely prestige from their work. Like me though, I do this for fun. It takes a lot of work but the outcome of the editions is usually worth the time. From all the focus you put into it makes the end result that much better. Even I as an intermediate printmaker could sell my prints and make money from them. In the Printing Discourse, most anyone can get money or acquire prestige and status from it if you later become a master.
There are many different terms used during the printing process. There are many common words used such as ink, brayer, and edition that are used in completely different ways than most people know. In order to understand how printing works, apprentices of the Discourse must learn what these words mean and how to use the different tools included. Saying connects directly to being. What a printer says and how they say it will help identify where they stand, if they are experienced or not. There are many different terms to learn and that are used before, during, and after the process. If you are actually in the Discourse, you will know and understand the meanings of the different vocabulary.
Time on Task: 45 Minutes
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